Artwork: Shield Dance by Will Jacques
After Three Nights of Terror, I Refuse to Face Him in My Sleep
David Arroyo
Consuming the coffee
panic like pollen in my eyes,
scratchy red.
Awake is not alert.
Fear is not hair on the chest.
It is bleak bags
each stuffed with a mace
stretching the face
into a sad bloodhound.
I watched dawn
crawl over the base
of the window
like a spider,
while Dracula
babbled
like a conch shell
shaped like a television
against my left ear.
Did I win?
Do I get a reprieve?
An empty page of sky
had no answers.
My red eyes cicatrized
and hardened against the marathon of day.
This is cheating,
but this is how I prosper.
Delay. Deny.
Foster addictions.
Stumble tense
between past, present.
Risk
an accidental
death.
***************************************************************************
In China, He Finds Me
David Arroyo
“...the dining-room declares
A larger loneliness of knives and glass
And silence laid like carpet.”
— Friday Night in the Royal Station Hotel, Philip Larkin
Sleepy-eyed I wake / to roiling dark
like
Nutella spread
thick
across my field of vision.
The
neon sigh peering
into my window snuffed
by bubbles of
black — of black —
Of
black blank. My brain stutters
and fumbles for
the noun.
The dark, seeping
in
the grey creases of me,
decomposes
language
Into
a bland stew.
Someone
is on my chest.
Nathan, is that Nathan? Why is Nathan
on
my chest? I’m flattered Nathan,
I
know it is lonely here but I don’t swing
that
way.
I cannot verbalize this.
He
is huddled on my chest
in
child’s pose.
heavy,
dense dwarf star.
Feel my fingers but cannot move.
Sp.eak.
Can’t. I. Ca. Ca.
I.
Ca.
From within me
the
whirlpool of swirling
phonemes
spits out
an
Uh Oh.
Uh oh. This is not Nathan. Uh oh. This
is HIM.
Uh
oh is the strange ohm
that
jail breaks me back to waking — real waking.
Neon
light, apple red,
drapes across my chest in a thick sash
Not
enough — I fumble for the switch.
It
is like dry land drowning, this sort of fear.
only
the blinding bulb oxygenates the polluted air.
Home